Saturday, 24 April 2010

The Brief

CONTEMPORARYFILM&VIDEO

LEVEL ONE

SCREEN DRAMA

START: Monday 19th April 2010

DEADLINE: Monday 7th June 11.00 am Rm 223

ASSESSMENT: Thursday 10th June all day

WORK FORMAT:

· 5 MINUTE SCREEN DRAMA

MOV DATA FILE (1 FILM PER GROUP), and a film synopsis

Working in production teams, students will develop an original

idea into a short film drama. The unit introduces dramatic story

telling through a script. Students also will have the opportunity to

cast and direct actors.

THE BRIEF

Working in groups (of five), we would like you to generate an original idea to produce a dramatic piece no longer than five minutes.

- You are limited to no more than two actors.

- Do not use sync sound with dialogue

- Restrict locations to a maximum of three

- Apply Directorial techniques

- Apply image composition principles

- Build up sequences applying Shot construction techniques

- Apply lighting techniques.

The style of film you produce should explore and innovate, narrative structures. You don’t have to emulate the traditional dramatic forms.

Members of the group will have particular roles (Producer, Director, Cinematographer, Sound designer, Editor) and will have the responsibility for their particular aspect of the final project.

Each film needs to be storyboard before shooting.

It is essential that all the films have good quality sound and well composed images - films will be marked down otherwise.

What work will you produce to demonstrate the development of your practice?

1. Three to five minute Drama.

No more than five minutes YOU WILL LOOSE MARK OTHERWISE.

2. Self and peer-assessment form

3. FILM SYNOPSIS TO BE HAND IN WITH THE DATA DVD (as word document, burn in the data dvd)

4. 400 words critical evaluation of the film production process.

IMPORTANT


when making dramatic films using actors, the quality of the film is dependant on a number of factors. Often the aspect which lets student productions down most of all is the quality of acting. Poor acting can make an otherwise excellent film un-viewable. It is for this reason, that we want to restrict your project to body language and voice over only…. i.e. no spoken words with lip synch.

UNIT LEARNING OUTCOMES

On successful completion of this unit students will be able to:

SUBJECT SPECIFIC SKILLS AND ABILITIES

• Engage with using film making and other means of visual and

aural expression to communicate and develop ideas

• Appreciate the ways that ideas can be taken through to a final

conclusion

• Appreciate that the creative process requires responsibility for

its management

• Comply with all health and safety requirements or guidelines

GENERIC SKILLS AND ABILITIES

SELF MANAGEMENT

• Evaluate their effectiveness in managing workloads and meeting

deadlines

Appreciate that the need to respond to situations that are

unfamiliar and bring about uncertainty

CRITICAL AWARENESS

Engage with the processes involved in analysing and evaluating

both information and events associated with learning the subject

INTERPERSONAL AND SOCIAL SKILLS

Appreciate the dynamics involved in working with others

Levy Edmond, - Making a winning short : How to Write, direct,

edit, and produce a short film, - New York, Henry Holt, 1994, - An

Owl book

Film Directing Shot by Shot : Visualizing from concept to screen /

by Steven Katz, Publish by Studio City, Calif 1991

The art of technique : an aesthetic approach to film and video

production, Douglass John S, Boston, Mass, London Allyn and

Bacon 1996

http://www.filmunderground.com/

http://www.dependentfilms.net/files.html

http://www.mediacollege.com/video/camera/tutorial/01-

terminology.html

No comments:

Post a Comment